Wednesday 12 January 2022 – Auckland
Before I start here is a quick note for anyone who landed here from a Google search while looking for information on The Beths Whammy Bar series. I couldn’t find the stage times elsewhere. This was from the Wednesday night performance so may not reflect the following nights.
- Other than Friday 14 Jan, all five Auckland shows are sold out.
- Doors at 7:00, the support band, Lips were on stage at 8:00 and The Beths on soon after 9:00.
- A vaccine pass was required; most of the punters were wearing masks (yahoo).
- Whammy has been proactive and installed some much needed, and very efficient, air-conditioning. The staff were great too.
- Capacity has been reduced from 210 to 170 which made a massive difference to space.
The most important thing you’ll want to know; was the Wednesday gig any good? Hell yes, of course!
After the obligatory ‘Hi, we’re The Beths from Auckland New Zealand’, the band started with the fabulous oldie ‘Happy Unhappy’ with its poptastic ‘oh-uh’ opening, before launching into a set that seemed to have more tracks from the first LP than the second. All the ‘hits’ were there as you would expect so I doubt anyone will leave disappointed their favourite song wasn’t played. They introduced three new songs, unusually closing the encore with one of them, the very un-Beths like rager ‘Silence is Golden’, a track I’m looking forward to hearing on record.
If you have not heard The Beths and you like indie pop with great musicianship and witty songs with the best vocal harmonies New Zealand has produced since The Muttonbirds, then you definitely need to check them out. Then go buy some records. They are a great band, seem like lovely people and deserve to be huge, though not stadium huge as I hate stadium gigs. The Beths are doing a good old fashioned five night residency at the freshly post-lockdown re-opened Whammy Bar on Auckland’s K’ Rd.
My favourites ‘Future me Hates me’, ‘Uptown Girl’ and ‘I’m not getting excited’ were played at pace and were fabulous, as was ‘Jump rope gazers’. With so many people masked up the crowd singing along was slightly muted too, an unexpected bonus!
Australian artist Stella Donnelly was supposed to play the support slot but was unable to attend due to the travel restrictions. The Beths played one of her songs ‘Tricks’ in tribute, I thought that was the weakest song of the set.
We saw a great The Beths set at Heaven in London in August 2019, along with 1100 other people, though this much more intimate venue really suits their personalities. The on stage and audience banter worked so much better here and at times it felt like it was a sing-along with mates rather than a public show. With fewer people than normal Whammy Bar was the best it has been, the sound was excellent, particularly at the back and the lighting was not too terrible for photography, though I still had to convert to mono as the colour cast was pretty bad 🙂
I stayed at the front taking photos for the first three songs before heading to the raised area at the back to stand with Eleanor to enjoy the rest of the show.
I have not heard support band, Lips, before. I thought they were OK, they had some good songs, the first couple and the last were the standouts for me.
While Covid rates are (thankfully) incredibly low in New Zealand we all know how virulent the omicron variant is and we won’t know it’s in the community until it’s in the community. Getting Covid right now, just before we head off on holiday, and then back to London would be just so ironic. With that in mind I (we?) was a little tentative in the hours before the gig; this was only the second show we’ve gone to since Feb 2020 when we saw Penelope Isles in St Leonards. The last gig we went to was Deathcrash in July 2021 and it was a fully seated, socially distant event held in a Hackney church. The lack of shows was not through lack of desire; there were none in the UK before we left for New Zealand, and when we arrived in Auckland we went straight into lockdown. Gigs have just started again and we were so glad we got to go this one before we leave. It was originally scheduled for September and had been postponed twice before.
For a return to standing gigs we couldn’t have picked a better one. It was a fun show; great band, good sound, busy but not packed venue, and most importantly smiles round (as far as I could tell as the majority of the audience were wearing masks).