New Zealand Music Month, 2009 Gig photos

Auckland 2009
New Zealand Music Month.

The second and final post for New Zealand music month.

For a few month across 2008 and 2009 I did some gig photography for an Auckland based website. In the end it just got too much and I could not sustain late nights taking photos as well as working a busy job and a family; albeit only one of the kids was at home by then. Looking at the dates of these photos it looks like I stopped in March and then did a couple more months in July and August. I did get to some great gigs, mainly by New Zealand bands; though I did get to see legendary English band Spiritualized.

DHDFDs,
Kings Arms, January.
I absolutely loved seeing these guys, completely bonkers, and they could play too.

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Set On End,
Somewhere, January.
Metalcore band from West Auckland who were good friends of my son Dom.

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X-Features,
Support for Spiritualized, Powerstation, January.

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Hasselhoff Experiment,
Cassette 9, February.

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Head Like a Hole,
Kings Arms, February.
Wellington’s Head Like a Hole were a must see gig when they first started coming to Auckland in the early 90s. Absolutely insane live.

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Lawrence Arabia,
Early evening gig in a Cafe on K’Rd, March.
I was contacted by the band after the photos went up and some were used in a print article in NZ Musician magazine. The only time any of my gig photos have made it into print.

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The Randoms,
Somewhere on Nelson St, July.

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Silhouette of the guitarist from Frayden,
Somewhere on Nelson St, July.

Shadow Play

Piece War,
Support for Shocking Pinks, Cassette 9, July.

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Shocking Pinks,
Cassette 9, July.

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Drab Doo Riffs
Cassette 9, July
Karl Steven was probably the most engaging live vocalist in NZ at the time, it was great watching him perform, I have a lot of photos.

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Brand New Math,
Support for Handsome Furs, Cassette 9, August.

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 And that was the end of my short-lived, unpaid career as a gig photographer. It was mostly fun, but also hard work. With such terrible public transport in Auckland, a lot of people drove into the city for gigs, which meant they were always on really late, often finishing at 2am, even mid week.  One of the (many) things I love about the UK is most gigs are done by 11pm, getting home early is something I very much appreciate.

New Zealand Music Month, 2008 Gig photos.

Auckland 2008
New Zealand Music Month.

I have been a music fan since my teens and have had an interest in photography for almost as long, so it was inevitable that these two interests would collide. I bought my first digital SLR in late 2007 and though I didn’t go to many gigs in those days I did take my camera to the ones went to.

Bill Direen and the Builders
Masonic Tavern, Devonport, November 2007.

Bill Direen - Builders set

Mint Chicks
Kings Arms, March 2007.

I loved the Mint Chicks!

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I can’t remember which photo I posted on the Flickr website that led to ‘A’ from the ‘website that shall not be named’ getting in contact with me to ask if I would do some gig work for the website, though I am pretty sure it was photos from the above Mint Chicks show. I did a couple of years of photography for him, but in the end it got too much and I had to stop. I couldn’t do two late nights a week and my immensely busy day job. Of course the gig photos were done for free, but I did get a photo pass.

As May is New Zealand music month, the images here are just the New Zealand bands I shot for the website. I only shot a small number of overseas acts, though I did get to see some good ones; Broken Social Scene, The Breeders, Spiritualised and Stiff Little Fingers being highlights.

So, here we go, gigs from 2008.

Shocking Pinks
Supporting The Clean, Kings Arms, January.

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Nick Harte, in the photo, is the Shocking Pinks, with band members roped in for gigs. This photo still gets used by him and is the photo on their Spotify page. I guess it is my most viewed image.

The Clean
Kings Arms, January.

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Surf City
Supporting Broken Social Scene, Kings Arms, February.

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The Bats
The Media Club, Christchurch, March.

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Tentacles Of Destruction
Helen Melville Hall, June.

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Kerretta
Supporting The Breeders, North Shore Centre, August.

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Sora Shima
Kings Arms, August.

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Cut of your hands
K’ Rd venue unknown, October.

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Anabys
Supporting Set on End, October.

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Set On End
Metal bar on Nelson St? Cannot remember the name, October.

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Spelling Mistakes
AK79 reunion shows, venue unknown, November.

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X-Features
AK79 reunion shows, venue unknown, November.

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Die! Die! Die!
Zen Bar, November.

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My favourite gig of that year.

Los Hories
Website 5 Birthday Gig, Cassette No 9, December.

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Princess Diana
Website 5 Birthday Gig, Cassette No 9, December.

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Trees Climbing Trees
The website 5 Birthday bash, Cassette No 9, December.

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Bemsha Swing
Holy Fuck Support, The Studio, December.

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Golden Axe
Holy Fuck Support, The Studio, December.

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The Conjurors
Ruby Suns Support, Kings Arms, December.

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Ruby Suns
Kings Arms, December.

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Cobra Khan
The Bronx support, Kings Arms, December.  

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It was a busy end to the year, but I loved all those gigs.

Penelope Isles, Winter Garden, Hanya @ The Piper.

Saturday 01 February 2020 – St Leonards-on-Sea.

I was contacted earlier in the year by Mark who I met at a Walthamstow Rock n Roll book club event last year. One of his friends has been looking at flats in St Leonards and has made an offer on a place not too far from mine. He wanted to know what I thought of the town, so I gave him a run down on St Leonards and mentioned The Piper had recently opened and had some quite good gigs.  A couple of weeks back mark got in contact to see if I wanted to go and see the band Penelope Isles at The Piper. I said yes, so tonight we did.

I offered Mark the flat’s spare room for the night, our first overnight visitor since my sister stayed in May. We left for dinner soon after Mark arrived at the flat, choosing to eat at The Royal; a recently refurbished, re-opened, turned into a London priced gastro-pub near Warrior Square station. The food is very very good, worth the price, and it is an enjoyable place to eat in too.

We arrived at The Piper about 9:00, time enough to catch the last couple of songs of the first band Hanya, they were OK. I didn’t hear enough of them to form a proper opinion. The pub was packed and I heard one of the organisers say that the 145 capacity venue was sold out. El and I found a spot at that back, we could still see OK, but it was slightly less crowded and the sound at the venue has always been good no matter where you stand.

I went closer to the front for a couple of songs of the second band, Winter Garden. They weren’t really my cup of tea, nothing wrong with them, they had a very good guitarist, but the songs didn’t really set me on fire. I did like some of the guitar and looped synth noodling between songs, there was a great gothy noodle of the intro to Neil Young’s ‘Hey hey my my’ that would have been a good cover, though it was just an in between song thing sadly.

I have listened to Penelope Isles debut LP ‘Until the tide creeps in’ a few times in the past couple of days. It is OK, a gentle dream pop LP, something to listen to and enjoy, though it didn’t catch my attention as immediately as the Hey Colossus LP (the last band I saw at The Piper) did. Though after seeing them live, performing most of those songs, a grittier production would have suited that record better in my very non-expert, but very biased opnion.

They have some very good songs, but the LP is a little too shiny for my taste. The track ‘Gnarbone’ was so much punchier live, a highlight of their set. The recorded version does not capture the possibilities the song offers; noise, feedback, looped pedal generated squeals, all the things I like from a live band. I have no desire to see a band doing their studio thing!

Noisy squealy feedback things during Gnarbone.

I very much enjoyed their set; they are a great live band. What set them apart from the other bands that performed tonight, apart from the songs; was stage presence, they really know what they are doing, and how to work the crowd. There was nothing they did that was massively different to the support acts, but what they did do, they did so much better.

El and I both went to the front for their set, standing to one side, against the wall. I had the GX800 camera with a fast lens, so it was great for low light. The lens is not very wide and as the place was packed it would not have been any use if I stood in front of the band, so I stayed were I was and just took photos from there.

Unusually for The Piper the light was really good, thanks to some visuals from Brighton’s Innerstrings. I have been to shows with their light system before, most recently a gig in Dalston, and it does make a massive difference. I hope they come back to The Piper

I suspect Penelope Isles will be big one day, so go see them while you have the chance to see them in a small room. Small rooms are always best.

Hey Colossus Supported by Mullholland @ The Piper, St Leonards.

06 November 2019 – Hey Colossus with Mullholland @ The Piper

Hey Colossus are a bit of an odd beast; a sort of noise/droney/experimental/metal with a bit of pop, band. They are impossible to accurately describe, and each album is a little different to the previous. They are resolutely low-key. I had not heard of them in NZ, yet they have been around since the early noughties, releasing records and touring. They released a new LP, ‘Four Bibles’ in May, and it sits very high up on my album of the year list. I was pleasantly surprised that they were playing a gig in St Leonards, and for a paltry £5.50. OK it was a Wednesday, but now I have discovered I can work from a Hastings office a Wednesday is not as tricky as it could be.

After a busy day at work in London I had a fairly stressful drive down to the flat. It was as busy as you would expect for rush hour. I am not a big fan of driving in the dark, off the main highways the roads are crap and I don’t drive often enough now to be totally comfortable on the road. I am becoming one of those slow and overly cautious drivers I hated being stuck behind when I was in NZ. I am seeing the other side now.

Arriving at the flat not long before the gig started, I dumped the load of stuff I brought down, and headed to the pub almost immediately. Rushing  didn’t help the stress levels. I really like The Piper, it is a new pub, having opened since I have been in St Leonards. They have bands, most of which I like, the music in the pub is often really good, and they have a really good house red at a decent price. [*note; 3 weeks later, the good house red at a decent price seems to have ended.]

Hey Colossus were supported by Mullholland, a young instrumental duo from the Channel Islands, now living in Brighton, I am guessing there is not much of a music scene on Jersey. I thought they were brilliant, they have released a couple of albums, which I had listened to at work, but they were very much a live band. I took a few photos, and am looking forward to hearing the next, pending, record.

Hey Colossus are a six piece guitar, bass and drum band. A bit too big for the stage at The Piper, and too big for the 20mm lens on the GX800 (basically a 50mm lens on a normal camera). I could not fit all of them in a single shot. This is the first gig on a European tour, they are from London and the south west, so I guess this was on the way to the ferry to France. There had been no sound check, it was at times a total wall of noise, at others the sound was crisp and clean. Either way it was pretty damn good. The vocalist was standing directly under that hideous purple spot light, so I was forced to convert these to black and white.

When they hit the stage I am fairly sure they was more band members than audience, something I was pretty upset about, though it did fill out a little once the the music started. I know this is small town coastal England, Brexit country, small ‘c’ conservative, and yes Hey Colossus are never going to be Ed fucking Sheeran, but they deserved a much bigger crowd than this. They are innovative, noisy, talented, though to be fair I doubt they gave a shit. Small audiences are what they are used to I guess.

I was mesmerised by the vocalist, he does not look like his voice. Maybe it was the ‘tache.

I loved them. My ears less so, they were still humming well after I got to work on Thursday.

I posted  couple of photos on Instagram on Thursday night and Mullholland asked if they could use them, which was very nice. My photos on their Instagram feed get more likes than any photos on my feed!

Night Beats, supported by Strange Cages @ The Piper

September 03 2019 – St Leonards-on-Sea.

St Leonards is constantly changing, gentrifying, and in my mind improving. I know not everyone agrees that the gentrification of this, or any other area, is a good thing; but hey, I am a property owner and anything that increases the value of my investment is a good thing! I am a middle aged, middle class man who likes, and can mostly afford good coffee, nice wine, good beer and music. Therefore I am very supportive of the addition of places that provide those things to St Leonards, even if the price of a pint is a lot more expensive than others.

Since I have moved into my flat the only closed pub in the St Leonards has been renovated, reopened, renamed as The Piper and rebranded itself as a live music bar and venue. It is very much my kind of place.

I popped in their for a quiet pint last time I was down and ended up staying there for five drinks, it was the sort of place where I felt comfortable sitting alone with my laptop and writing. In that case one of the many blog posts I managed to write that week. They were also playing some of the best music I have heard in a pub – almost as if they had been referring to my Spotify playlists. I have been back since, but not staying that long again.

They started having bands play a few weeks ago, a couple of really good acts have played there, including Toy, one of my current favourites, so definitely a place to be excited about. Tonight they hosted Night Beats, an American psychedelic/garage rock three piece. Though this is my sort of music I had not heard of them before, so this was a very good reason to head to a new favourite ‘local’ and go see a band, or two.

Last week I bought myself a new camera, something to be covered in the next post, so I it along tonight. It is pretty low end, but I was hoping that as it is new technology it would have better low-light capabilities than my other cameras. I was pleasantly surprised.

I got to the venue about an hour after doors opening and was a bit gutted as to the very small number of people there, however by the time the support band, Strange Cages, came on the crowd had expanded enough for there to be a good atmosphere.

Strange Cages are from Brighton, I had checked out a couple of tracks on Youtube and didn’t like them, but will always check out a live band. They were much better than their Youtube clips gave them credit for, and subsequent listening on Spotify proved their youtube presence is bad. Their last track was a long jam, reminding me a lot of early Pink Floyd, but the synth was a bit too twiddly for me. They did however, have the best drummer I have seen in ages, extremely aggressive and very talented. Worth going to see them for him alone. Though naturally I have no photos of him, mainly the front man. As always

Strange Cages.

Night Beats are just starting a European tour, so I guess this is a bit of a warm up show for them, small venue in a small town. The place was full one they got on the low stage, though I had not left the room between sets so was close enough to take photos before the crowd made its way in front of me.

The lighting was terrible, as is always the case in small venues. Why do they insist on those awful red or blue lights?

I had fun, they are a good band, live they were a bit more 60s garage rock than full on psychedelic rock. A good night out.

Night Beats.

Wax Chattels @ Lock Tavern

Tuesday 26 June 2018 – Wax Chattels @ Camden Lock.

I am a massive fan of Auckland, by way of Dunedin, band Die! Die! Die!. I believe they are the band I have seen the most often over the 38 years I have been going to gigs. It is fortunate that they come to London pretty regularly. I have seen them three times since I have been here, only missing their last gig here as I was too sick to go.

Wax Chattels are a young Auckland band, also a three piece and clearly influenced by Die! Die! DieI, though with one massive difference; Wax Chattels have keyboards rather guitar as the lead instrument. They have been described as a “guitarless guitar band”, an apt, and frankly brilliant description for them.

Wax Chattels released an LP a few weeks ago and have come to London for a couple of release shows. The first was on Saturday night, however El and I were already at a gig, seeing the mighty My Bloody Valentine, a band I have always wanted to see, but have never had the chance to before. This was My Bloody Valentine’s first UK show in over five years, so I wasn’t going to miss that.

Fortunately there was a second gig, on a Tuesday night in Camden. It is not my favourite night to go out, but at least Camden is not a major pain to get too, and it would be a reasonably early one. Plus, it was free.

This was my third gig in six days, definitely a record for me.

I got to the Lock Tavern in Camden pretty early, far too early in fact and had to wait for most of an hour for the support band, Careers, to come on. They were Ok, a bit derivative, a bit London indie pop. Un-offensive but not spectacular, there were a couple of good tracks and I was entertained enough. The light was really poor, and the stage was between two doors to an open balcony holding a private party and the daylight just streamed in. None of my photos were any good sadly.

There was a thirty minute wait for Wax Chattels to get their gear ready and come on stage, it was still pretty light outside, but the light was slightly better. I wasn’t really banking on a full room, so didn’t get myself a spot for taking photos until it was too late. I grabbed a few shots from one side of the stage before moving to the other. I took the big camera and the 50mm lens, but even shooting wide open it was still a bit too dark for the low top-end ISO this old beast of a camera has.

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They were really good, great songs, and good performances, nice to see from a young band playing a free gig to a small, albeit full room. Highlights for me were Concrete, Shrinkage (the best Die Die Die song not written by Die Die Die) and In my mouth, a song I do not particularly like on the LP. It made more sense live.

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This is my favourite image from the night.

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I really enjoyed the show, and did buy the LP from the merch stand. Hopefully they will be back in London soon. I would definitely pay money to see them again. This is my favourite image from the night.

Mogwai @ Royal Festival Hall.

Thursday 21 June 2018 – Mogwai @ Royal Festival Hall.

Confession time. I came late to the Mogwai party, not knowingly hearing them until the mid-2000s when instrumental post-rock started to dominate my music listening, which it still does. Even then Mogwai were not my first pick, New Zealand groups Sora Shima and Jakob, Japan’s Mono and Texans Explosions in the Sky were usually first to the turntable or CD player. Post-rock really helped get me through the endless journeys I took on my travels. Many of those hours spent in planes, trains, buses and trucks were passed listening to long, winding instrumental tracks.

I am not quite sure when this changed; when Mogwai became not just my favourite post-rock band, but my favourite band of all and any genre; sometime after arriving in the UK I guess. This will be the third time we have seen them.

When Robert Smith (singer, guitarist, songwriter and main man from The Cure, another long time favourite group) was announced as the curator of 2018’s Southbank Meltdown Festival I was excitedly looking forward to the acts he would announce to play over the course of the festival’s two weeks. He does have very good taste, but wow, what a line up, exceeded my expectations! If I was wealthy enough and could take two weeks out of work I could have gone to at least one gig each night, so many great acts were playing. However I am not wealthy, nor able to take two weeks holiday, so I restricted myself to booking two shows. Mogwai and My Bloody Valentine. It was a tense couple of hours when pre-release tickets went on sale, hovering over the refresh button on my computer; even cancelling a meeting at work just to be sure. But I did get the tickets I wanted; and My Bloody Valentine sold out almost immediately. The online queuing was well worth it.

I love the Royal Festival Hall, a fully seated venue with excellent acoustics it is perfect for Mogwai’s instrumental loud-quiet sonic assault. With loads of bars and bathrooms the venue does not seem rushed or crowded and with a long veranda overlooking the South Bank and the River Thames, getting there early for pre-show glass of wine is no chore either.

Kathryn Joseph was the support act, I have not heard her before. A two piece set of piano, drums and voice. It was OK, I warmed to her style towards the end but it was not really my cup of tea.

Mogwai came on stage exactly on time, to a loud roar from the capacity crowd. Opening the 90 minute set with the title track of their new LP ‘Every Country’s Sun; co-incidentally, my new favourite track. A cracking start!

Playing material from the full range of their 22 year existence, they finished an outstanding first set with ‘Mogwai fear Satan’, another favourite track and one from their first LP. The early tracks are a lot more guitar based than the later material which incorporate more electronics, glitchey noises and samples along with piano. Their music maintains a certain core ethic, they always sound like Mogwai, though the sound is shifting and dynamic, developing with each new LP. There are even the occasional vocal tracks on albums these days.

After a short intermission they appeared back on stage, with original drummer Martin Bulloch taking the seat The ‘encore’ was excellent, concluding with a fabulous 15 minute of ‘My father, my king’, coincidentally was my previous favourite track. It all made me feel very very happy!

We were a few rows back from the front so not in the best seats for taking photos. The light show was amazing, as good as the music deserved. I would love to get a press pass one day and be able to take all the photos I want using the big old DSLR. These photos just do not do justice to how amazing the lighting was.

Third time, and I think this was the best set yet. They are a fabulous band, one that very easily transcends both record and live performance , not something that is always accomplished.

A Place To Bury Strangers @ The Garage.

Thursday 10 May 2018 – A Place to Bury Strangers @ The Garage, Islington.

A Place To Bury Strangers (APTBS) are a three piece band from New York, with an expat New Zealander, Dion, playing bass. They are one of my favourite bands and are touring their new LP ‘Pinned’. This will be the third time I have seen them, though I only seem to have one blog post; six years ago from a gig in Brighton, just before my fiftieth birthday.

I have not been to The Garage in Islington before, but really liked it. Similar to the Dome in Tuffnell Park, it is a decent sized venue, with a big bar and good beer on tap and in the fridge. Venues must be learning that good beer sells. I will definitely come to gigs here in the future, being right outside the tube station on my home line also helps a lot.

We arrived at the venue just as the support act, American duo Buck Gooter took the stage. I had not heard them or even heard of them prior to this morning. I tried a couple of songs on the internet at work and was not overly excited, or particularly impressed. Their first track was very typical of what I had listened to, and I was not looking forward to an entire set of it. However…. They did have two distinctive styles one quite yelly, techno industrial sort of thing with the singer going mental on stage, which was mildly entertaining for while. The guitar player had a much mellower voice and I preferred the songs he sang. It was OK in the end and I mostly enjoyed it.

APTBS hit the stage on time and into a mass of strobes, smoke and noise. The first track ‘We’ve come so far’ was a sonic blast. Playing up for the gig photographer every move in the guitarists inventory was pulled with Oliver Ackermann smashing his guitar at the close of the song. Brilliant 🙂 What an opening!

I stayed up the front for the first four songs, they are an impossible band to shoot with a pocket camera, light, movement and smoke, and very dark. Hectic. There was so much back lighting and smoke that even from the front left of the stage I could not see the drummer, and barely grabbed a couple of fading shots of the bass player.

Mid-way through the set the band descended into the crowd, by this time I was right at the back on a low set of stairs with El. About two thirds of the way in to the crowd they set up instruments and played two songs surrounded by fans, concluding with Dion the bass player, crowd surfing while continuing to play. We could not see any of it, though I was expecting this at the end of the set, so was unprepared.

The previous times I have seen them they have concluded with a storming version of my favourite song ‘I’ve lived my life to stand in the shadow of your heart’. I was pretty disappointed by it tonight, it was not too long, and didn’t go into the manic feedback, droney finale it is known for. It was disappointing to think that was the end of the show. However, there played two more songs, ending on a brilliant long, feedback, droney, mad version of another older track ‘Ocean’.

They were fantastic again, though I am glad I took earplugs!

https://www.youtube.com/watch?v=XYtZ__l8j_Q

Graeme Jefferries @ The Wine Cellar

Friday 27 April 2018. Wine Cellar, K’ Rd, Auckland, New Zealand.

I bought the first two Nocturnal Projections (NP) singles when they were first released back in 1982. Both were stolen when the flat I lived in in Green Bay was cleaned out by burglars early in 1983. My small collection at the time was a pretty good representation of the Auckland punk and early post-punk scene and the bands I used to see. Like most independent music in New Zealand not many copies of these records were pressed and I have not been able to find, or afford to buy them if I could find them since. I bought their third EP, released in 1983, and still have and play that now. They were heavily influenced by Joy Division and early Sioux and the Banshees, and those artists are visible in their songs. My favourite track is ‘Nerve ends in the power lines’ from one of those stolen EPs. Fortunately a German label released a CD of all their available music sometime in the 2000s, it is firmly lodged in the car CD stacker.

Graeme and Peter Jefferies were members and the main songwriters for NP and went on to form This Kind of Punishment (TKP) when NP broke up in 1983. I had not heard TKP before they first performed in Auckland in 84/85. I saw them at a gig at the Gluepot Hotel on a bill with three other bands I had not seen before. This live version of TKP was a three-piece with Chris Matthews from Auckland band Children’s Hour, another post-punk band, joining the Jefferies on stage. I think it fair to say we were expecting TKP to be loud, dark, and furious. They were not. Dark, yes. Loud and furious, absolutely not. Tracks backed by solo piano or guitar, I do not recall any bass player. They were mesmerising and beautiful, I have never been to a gig that was totally silent before, the audience blown away by the songs and the music. I was an instant fan.

I saw TKP a couple of other times after that. The final time was in 1985, a few days before I went to the UK to live for a couple of years. They were supporting Hunters and Collectors at Auckland Uni. It was the first and only concert I have been to where I, along with most of the audience, sat on the floor of the venue in stunned silence. A brilliant performance again.

TKP split up while I was living in the UK and Graeme started performing under ‘The Cake Kitchen’ with a revolving cast of supporting musicians, releasing a few EPs and LPs over the years. I have a couple of recordings, not being a fan of CDs I pretty much stopped buying music in the late 90s when vinyl almost completely dried up so have a few holes in my collection, which I will seek to rectify as old material gets re-mastered and re-released on vinyl.

Both of the Jefferies brothers built and have maintained a small but passionate following overseas, particularly in Europe and a lot of their material gets released on small independent labels. Dais Records out of the USA have been working with NP and released two records this week; the first is a collection of all their recorded output, and the second a set of live recordings. I have ordered the first of the LPs and it should be waiting for me when I get home. I am very much looking forward to putting it on the record player. The first two TKP LPs have also been re-released recently, though I still have the original, and increasingly more valuable, first pressings.

I would love to be saying that to support the release of these records that NP have reformed for some shows though that has not happened and is not likely to. However, Graeme performed a solo show tonight and I went along. Conveniently I was in Auckland at the right time.

I met my old mate Jeff at an Italian cafe on Auckland’s K’Rd, a strip of nightclubs, bars and venues that has existed since before my time. We had a couple of beers and a very nice meal before heading along to the venue – The Wine Cellar. I have only been here once before, it is small, with decent beer and an excellent sound system. For a small crowd and a solo show it is perfect.

Graeme was supported by i.e.crazy, another solo performer. I am not sure how to describe her music; dark electronica maybe. I mostly enjoyed her short set. I like the Beard of Bees LP sleeve design as the backdrop.

With no bands being involved there was not much equipment to faff about with so it was quite a quick change of artists and Graeme was on stage on time, and nice and early in the evening. Too early as not that many people were in when he started, most choosing to be out in the bar area. As the place filled up I moved my way towards the front and sat down on the floor, mainly to not be the tall dick standing in the front. I was joined by other sitters soon after.

He played for about 45 minutes, using both the guitar and the electric piano, with songs from all three of his previous bands, I am guessing most were from the TKP years, though there were were a couple of songs I did not recognise.

I was really hoping that he would play ‘The Sleepwalker’ my favourite TKP song, however it was written and sung by Chris Matthews on the ‘Beard of Bees’ LP so I was not surprised it wasn’t played. He did play ‘The Cake Kitchen’s ‘Dave the Pimp’ which I thoroughly enjoyed.

On the side of the stage was Graeme’s flying V electric guitar, I was really hoping he would play it, as that would signal to me a Nocturnal Projections track. Sadly it was not to be and the Gibson SG was the only guitar used all night, it still sounded good. He has quite a unique style of guitar playing, and it was interesting watching him play, along with his quite unique voice and some fabulous songs made for a very enjoyable, though sadly brief show.

I thoroughly enjoyed it, and it was over all too early. Thanks Jeff for securing tickets for this sold out show, and thanks for your company, it was really good to see you again.

3 nights, 3 gigs.

Friday 23 March 2018 – London.

Walking out of the Tufnell Park Dome into the cool and drizzly north London night, both ears ringing, I had a big smile on my face after two loud gigs in two nights. Guitar Wolf last night and The Men That Will Not Be Blamed For Nothing tonight.  A very much needed blow out after a really busy  and stressful work week. Six performance reviews completed, meetings galore and an inundation of last minute requests had me thinking that three nights out in a row would just be too much to take and I would not last the distance.

We are very fortunate here in Walthamstow to have the e17 Rock and Roll Book Club. Run by Mark, he organises authors to come along and talk about themselves and their books. Most often these authors write about music or are musicians themselves. A couple of weeks ago we had Brett Anderson, the singer from Suede. Tonight (Wednesday) we have Hooky at Mirth, Marvel and Maud. Peter Hook, bass player from Joy Division and New Order. Joy Division being one of my most loved groups of all time, arriving in my life at the same time as the break up with my first girlfriend. Staying with me through both good and bad times ever since. 

Hooky was hugely entertaining. I don’t think he directly answered any of the questions posed, not trying to avoid, just he had way better anecdotes that wandered off in many different directions. Very funny, and very engaging. He also played a couple of quick tunes as part of the show, the longest of the many e17 RnR Book Club events we have been too.

Mirth, Marvel and Maud is a large bar in the foyer/reception area of a reclaimed cinema about a five minute walk from home and a fairly recent addition to a rapidly gentrifying Walthamstow. The Maud theatre, where the Hooky talk was, stands about 120 people maybe and was the venue for Thursday nights much different and much louder affair. A gig by Japanese punk and rollers, Guitar Wolf. This was the first gig I have attended in the venue.

We missed the first band, arriving in time for the second, Los Pepes. Slightly clichéd Ramones style punk rock with a bit of lead guitar thrown in for good measure. I really liked them. I was really impressed with the sound quality and having a gently sloping floor meant those of us at the back had some sort of view. Why are there so many tall people at gigs? I took to the front  for a couple of songs to take a couple of photos. If I had been younger and the circumstances different I would have been tempted to jump up and down a bit.  A shame no one did as the band deserved some sort of reaction.

Sadly the same quality of sound was not there for the headliners. Guitar Wolf have been around for decades, they have been to NZ a few times, though I have never seen them.

They were unlistenably loud; and I love loud, even more I love a wall of noise, but this was just a sludgy overdriven mess and I could hear nothing but a roaring noise. I was really disappointed as they were a bit of fun.

I stayed up the front for a couple of photos and then moved to the back for a bit with El and some friends. Frustrated, and deaf, we left soon after. The light was pretty terrible for photography as well.

Friday I was in Tufnell Park with Steve and Arthur to see The Men That Will Not Be Blamed For Nothing (TMTWNBBFN). Steve has seen them a few times, but this was my first experience of a live steam punk band. I was also new to the Dome,which is a great venue and I will go and see a band there again, great bar and selling my favourite beer was a definite bonus.

There were three support acts, the first two were neither here nor there, but I really enjoyed ‘I Destroy’ who were by miles the best of them.

TMTWNBBFN were mostly brilliant, a couple of dud tracks in the middle, but they were a lot of fun, playing a variety of different styles, but not veering too far from a punky/metal sound. Lyrics are where they truly excel, songs about Victoriana, Marie Curie, Jack the Ripper; and the set finale is the classic rock and roll tale of Isambard Kingdom Brunel. Everyone’s favourite civil engineer.  Brilliant!

Three nights out in a row, haven’t done that for a very long time; and I didn’t even have a big lie in the next Saturday! I have tickets to five more gigs, I have never been this well organised in the past. Really looking forward to them all, next up is Graeme Jefferies in Auckland in four weeks.

Rock on 🙂