A bit of Berlin concrete

Berlin 03 – 08 October 2024

As longer-term followers will have observed, in the last few years, particularly during and post-Covid, the blog took a massive swerve from photographs of landscapes and trees to photographs of cityscapes. I’m not sure if that change of focus was a reaction to the pandemic or how it affected me and my view of the world. I don’t think I’ve become more insular; and this isn’t the sort of place for any kind of diagnosis, self or otherwise. However, it’s still true; trees and nature walking have largely disappeared from my feed and architecture and urban walking has replaced it; especially the more ‘brutal’ type of modernist building that I’ve sort of fallen in love with. So, maybe after saying all that it’s possible I have become more insular and my world view has reduced at the same time as expanding. I must stop the self-diagnosis. I’m fine.

As our last visit to Berlin was with friends and it had a packed schedule there was no opportunity for me to disappear for a few hours and look at some raw concrete, or beton brut as the French would have it. When we planned this trip I factored in a visit to a classic Le Corbusier building on the way to Spandau on the Saturday, as well as a few hours of solo travel to see a couple of other ‘brutalist’ buildings. There will be more on the Spandau visit in the next post; but spoiler alert – it wasn’t worth it…

Unité d’Habitation of Berlin aka Corbusierhaus

Completed in 1957 it was the third building in Le Corbusier’s Habitation ‘series’. The first and best known block is in Marseilles, France. The phrase ‘beton brut’ has been attributed to Le Corb, and it has morphed in its English translation to Brutalism. It describes buildings largely made of unfinished concrete, rather than the harsh, ‘brutal’, often militaristic design generally think of when people think of brutalism. Some buildings obviously conform to that harshness, but the Corbusierhaus does not, it is just a 50s concrete apartment block outside the city centre with some very colourful panelling. It is lovely and is a tourist attraction in its own right. The only quibble I had was half the front was covered over by scaffold and cloth; oh well. If I come back it will be mid-winter when all those interfering trees are shorn of their leaves.

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Bierpinsel

We had put Monday morning aside as ‘do our own thing’ time as I wanted to get out and look at buildings and while Eleanor tolerates this with a smile it seemed unfair to schelp about looking for buildings on holiday. Inconveniently the best ones are out of town and in no way where they close to each other. There was a small wrinkle in my original plan as one of the train lines was closed for engineering works. I made some rapid plan changes and set off to visit the ‘Café Exil’ record cover; The Steglitz Tower Restaurant, AKA the Bierpinsel (Beer Brush). And wow, what a building it is! It is as mad and as glorious as I hoped it would be. Sadly it’s been closed since 2007, but achieved listed status in 2017 and more recent owners have plans to renovate the building. I certainly hope they do. It is properly fantastic and I would love to see it back in garish Café Exil red. I had a go at emulating the record cover, with limited success. I loved it…

Cafe exil Cover

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Wilhelmstrasse 150

With my plans now changed, I caught another couple of trains to WilhelmStrasse 150. A nice looking apartment block with some magnificent curving concrete painted a fetching pink. This has not been on any record cover that has passed my way.

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Band of the Covenant Buildings

With less time in the day due to some poor public transport choices (read this as me missing stations as I was reading my book on the train) and then misunderstanding some messaging about closed lines on the Berlin transport network I headed back towards Alexanderplatz and our hotel to meet up with Eleanor for some afternoon roaming. We had a loose plan that involved walking to a record shop, a photography gallery and whatever else took our fancy, as long as it ended up in a cocktail bar come late afternoon. It was our last day in the city and there is still so much to see, just around the inner north east were we are staying.

When we visited Berlin in June one of the places I was keen to visit was the concrete ‘circle building’ I’d seen photos of on Instagram. I’d spotted it from the train heading west towards the fantastic Teufelsberg on the woody outskirts of the city so had a pretty good idea where it was located. It was only when we ventured into the city centre, near to the Brandenburg Gate and the Reichstag Building, that I nailed down its exact location; right behind the ‘no entry’ tape blocking off a bit of the city sacrificed to the pending European Championship football competition. Oh well, it was something to save for next time; i.e. this time.

And this time there were no restrictive lines of tape or armed coppers making sure no one crossed those lines of tape. In fact, for a series of government buildings there was very little visible security. As a New Zealander and a Brit I still find armed police unnerving, and I work in Whitehall where all the police carry guns, not seeing them here in this almost sterile, yet serene location, was verging on a relief.

I think this small block of buildings on either side of the River Spree is utterly beautiful and not because of the concrete, the design is just so fresh and free and walking around looking at them genuinely made me happy. I think the complex is called ‘Marie-Elisabeth-Lüders-Haus’ and it is made up of an art gallery and the government library, among other probably less public parts of the German government. Construction was mostly completed in 2003 so these are not the post-war concrete rebuilds you see in other cities.

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The ‘gun thing’, and yeah I will put it out there. I fucking hate guns, and everything they represent and really don’t understand this fascination so many have with them. I understand the US is just obsessed with arming everyone, seemingly to keep those who make weapons and all the bollocks that goes with that in the lifestyle they have become accustomed to, but why do the rest of us have to support that? Why do we have to see guns on our streets?

This was brought into stark relief on the opposite side of the river to the buildings above. There are four white memorial crosses wired to a low fence in remembrance of four, mostly young people, who were shot and killed by East German guards as they tried to flee to West Germany, the youngest was 18 and she was shot in 1984. Like the memorial plaques outside of the houses were Jews lived pre World War Two which I mentioned in the previous post, I didn’t take photos of these poignant reminders of humanities capability to be utterly evil.

I can’t possibly imagine what it was like for the Jewish and Roma people, the LGBTQ, disabled and other communities before and during WW2 and for those East Germans who wanted to go west to be so savagely betrayed, persecuted and murdered by their own countrymen. How fucked up was that? And the saddest thing of all is that for many around the world that hasn’t changed.

Vigeland Sculpture Park

Friday 15 to Monday 18 – Oslo, Norway

This is the final post from our fantastic 10-day holiday. I enjoyed every day we were away (even Gothenburg) and still think about it constantly a month later. We’ve already booked a follow up visit to Berlin in early October and I can’t wait to go back and explore more.

The holiday was a reversed version of a similar plan cancelled due to Covid in the summer of 2020 and so was well over due. Eleanor’s sister visited Oslo around 1980 and on return shared photos and stories from a slightly bonkers park with loads of statues of naked people, and Eleanor has wanted to go there ever since. The park was the inspiration for visiting to Oslo, so it had to be number one on the list of places to visit in this lovely friendly city.

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The park certainly lived up to expectation. It is bonkers mad and utterly, fantastically beautiful. I loved it.

Vigeland Sculpture Park can be found inside the larger Frogner Park near the centre of Oslo. It contains over 200 life size sculptures from Norwegian artist Gustav Vigeland. The granite, bronze and iron sculptures were completed in 1949, and took over 40 years to carve. The works were made by a team of sculptures working to Vigeland’s vision and detailed design. Sadly, Vigeland died before his park, and vision were completed.

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The detail in the granite work is just perfect, I took a lot of photos, by my standards at least, but could easily have taken a more. If we were to come back to Oslo I would aim for a more evenly overcast day to visit Vigeland.

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There are three major works that incorporate the individual statues; the Bridge, the Fountain and the Monolith. My photos of the Fountain were a bit rubbish sadly so I’ve not included any (next time!)

The Bridge, is as advertised, a bridge and it includes a number of slightly larger than life bronzes.

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In my view the masterpiece, the 17 metre tall granite Monolith.

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Monolith was started in 1929 and carved onsite from a single piece of granite that in itself was carved from a mountainside especially for the project in 1922. It took 3 three stonemasons 14 years to create this beautiful object. Monolith was officially opened in 1943, but sadly Vigeland passed away shortly before the opening.

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Below are a number of the images I took from the Monolith, which was by no means all of the, I’ve started with my favourite piece from a collection of favourite pieces, the expressions are just so wonderful.

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The Scream

Friday 15 to Monday 18 – Oslo, Norway
Munch Museum

I very much enjoyed the three days we spent in Oslo, and could easily have spent a bit more time there. I definitely want to visit more of Norway as well, particularly some of the more rugged coastal areas. I’ve never wanted to do a cruise, the whole idea of being stuck on a large vessel with hundreds of random people just sounds horrendous; however, a Norwegian fjord cruise is something I would certainly consider. It would be an amazing way to see that globally unique section of coast.

Enough dreaming about a future that may not happen, let’s get back to today when we visited the Munch Museum.

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I didn’t know a lot about Norway’s best known artist, Edvard Munch, though, like many, many others, I’m quite familiar with his most famous painting ‘The Scream’. When we researched this trip and found there was an entire museum dedicated to his life and work, all wrapped up in a quite spectacular building, we made visiting a ‘must-do’.

Edvard Munch (1863-1944) was a prolific artist, creating over 26,000 works over his life. Born in a small village his family moved to Kristiania, as Oslo was then known, when he was very young. Munch spent time in Paris and Berlin before settling back in Oslo in 1897 where he remained for the rest of his life.

There are numerous versions of The Scream; two painted, two in pastels and several lithographs. The museum had a painting, a pastel and a lithograph on display, though they only display them one at a time in a darkened room. I managed to get quite close to the lithograph, getting a nice clean photo, though I prefer this version.

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A very excited crowd started to grow as the time the painting was revealed approached; I wasn’t going to fight my way to the front, electing to take a crowd shot on my phone instead.

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The Munch – as the museum is now called, only opened in 2020 and, as I said earlier is housed in quite a spectacular building. It sits next to the equally spectacular Opera House, with its wide sloping roof which the public are allowed to walk on. It’s surprisingly quite steep in places and there were more than a few people holding onto the hand rails on the side. As it was a Sunday the Opera House was closed, as were quite a lot of the shops. Norway seems to have work-life balance as a priority.

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We stopped for coffee in the museum café, and I had to have a Scream cookie to dunk into the very nice flat white.

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We should have bought tickets before the coffee as we discovered too late that entry to the gallery is timed and we had a 45 minute wait before we could go in. Eleanor and I went for a walk outside and found this lovely modern block of flats nearby, which we both agreed we would love to live in. The ground floor flats had balconies with access to drop a canoe into the harbour as an added bonus. I can’t imagine what they cost.

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We spent a couple of hours browsing the interesting galleries, Munch certainly lived an interesting and occasionally wild life as well as making some good art. I particularly liked this quite disturbing piece, and annoyingly I failed to get its name. A lot of his work was quite disturbing in its way, with the stylised face from The Scream prevalent.

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He also painted a number of huge works including ‘The Reseachers’.

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My favourite part was an interactive room depicting life in the Munch household in the early 20th century. The room had this very cool electronic screen easel, which in my view, made for a great photo.

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Disappointingly the roof bar was closed on a Sunday so we didn’t get to go to the very top of the building, but the view from floor below was still very good. It is a spectacular building both in and out and if you get to Oslo I recommend a visit.

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Oslo, Norway

Friday 15 to Monday 18 – Oslo, Norway

Lakes and steep but low rocky bluffs, stony ground, more lakes, and rivers; I mustn’t forget the rivers. It’s obvious that we’re not passing through England; the trees are different, even the silver birch and pine don’t look the same, the forests seem denser and darker; and you know you’re in Scandinavia when you see those ‘classic’ red wooden buildings.

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It’s cloudy outside the train window and staring into the seemingly never ending forests you get this disturbing feeling deep down that there is something ancient and probably malevolent lurking deep inside those trees. It somewhere you could easily get lost in and are perhaps never seen again…

Does difference always allow dark thoughts to surface? Maybe I’ve watched too many of those Scandi-noir tv series.

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We’re on the train from Gothenburg in Sweden to our final destination on this holiday, Oslo in Norway. It’s a fairly slow train, with stops every 30 minutes or so and as we draw close to Oslo the carriages fill up to almost London morning commute level, though everyone seems much nicer than those I share a 7:30am tube with. I’m glad I’d pre-booked seats, which was more difficult than it should’ve been, and I can now confess to being slightly nervous that the train I booked us on didn’t actually exist until we saw it arrive at the platform. Internet scams for fake transport lines are not uncommon and surprisingly there are few cross-border trains in Europe.

I’ve not previously been to Norway so this is country number 64, and the first time since India in 2016 that I’m visiting somewhere new. Oslo was where we going to start the holiday we had planned prior to Covid arriving in 2020, so I’ve been looking forward this for a while and I’m really happy to finally visit. It is my kind of city; arty and interesting, with good food and the people we met were all really nice. I took too many photos to do one post, so this will be a three parter, with the other two covering Vigeland Park and the Munch Museum, and both were magnificent.

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We did a lot of walking over the three days, particularly between the hotel and the waterfront by the Munch Museum and Opera House. The central station was just back from Opera House and we took a tram from there to our hotel. We used a few trams in Oslo and it’s a nice way to get around.

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We took a 90 minute tour of the fjord which was largely disappointing, I was hoping we were going to go right out of the city into the fjord proper, but the quite large tour boat just puttered around the islands close to the city. It was scenic enough, but the highlight was meeting a couple of other Kiwis and spending the entire journey talk to them and not paying attention to where we were going.

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We also took a ferry to the closest island – Hovedoya, for a walk around and I found a nice ruined abbey; surprisingly these are ruins from a 12 century abbey founded by catholic monks from England.

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The island is five minutes from downtown Oslo, had a couple of nice, small, beaches – and the water was surprisingly warm, and some good green space. There were a couple of small groups of young people enjoying themselves and it looked and felt like such a nice spot near a busy old city.

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It’s a reasonably attractive city, there is a good mix of old and new buildings, a couple of 70s brutalist buildings, though nothing overly interesting that I saw on our walks.

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The Museum metro station entrance not far from our hotel was very cool with this amazing ‘Acoustic Sculpture’ ceiling which had the most fantastic echo. If you stand in the middle the echo was huge, walking outside of the circle meant there was no echo at all. It was very cool and not something you would expect to find in a metro station.

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We ate well, there is a lot of vegetarian and vegan places to eat which suited and I’m keen to go back to the Grunerlokka area when we go back, which I’m sure we will. It’s the Oslo version of London’s Shoreditch, admittedly smaller, with bars and eating places, graffiti and a suspicious looking non-swan in the river. It looked like a decent spot for an evening out.

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We also stumbled on one of Oslo’s heavy metal bars so popped in for a gin, beer is so expensive, for a look around. It was way too early in the day for the place to be rocking; though they were pumping out the Hanoi Rocks at a decent volume while we were there.

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Oslo is a cool city, we enjoyed our time and it’s another place to add to the ‘must go back to list’…

Gothenburg

Thursday 14 June 2024 – Gothenburg, Sweden

The three hour ride from Stockholm to Gothenburg was nice enough, the train was complete luxury compared to the shabby and dirty intercity trains we mostly have in the UK. It was full and I didn’t have a window seat so didn’t get to take any photos out of the window as we travelled from one side of Sweden to the other, though I more than make up for that when we continue to Oslo the next day.

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Gothenburg has been on the list of ‘Places I want to visit before I die’ for quite some time. Ok, I made up the list name just then, but I do have a list of places I want to visit before I die and Gothenburg is on it. I’m not sure why Gothenburg was on the list. Maybe because it has ‘Goth’ in its name and I liked a lot of gothic rock in the 1980s, but probably because it seems like a nice city and it’s popular with tourists.

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It wasn’t on the list because of an interesting historical event or an amazing building I just had to see, it doesn’t have an immediate ‘gotcha’ like a lot of other places do. There was nothing I specifically wanted to see or do, and now I’ve been I know why; there isn’t really anything to see or do; unless you like shopping. It’s one of those rare places that I have no desire to go back to and I found it dull as dish water. As I wrote in my notebook; it’s a bit like Sydney, a nice place but visually boring.

To be fair to Gothenburg it wasn’t its fault. The hotel we stayed in was on top of the station, it was a fine hotel, but I like staying just outside the centre in inner city residential areas; somewhere near a nice bar or café and people.

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Between the station and the city centre was a large square with bus and tram stops and criss-crossed tram lines; it was raining when we went out and it was a confusing place to get over; trams and busses and cars and bikes seemingly coming from all different directions. I disliked it and not knowing exactly where we were going made it all too complex and frustrating. Admittedly I was tired and probably hungry.

The other big negative for me was half the city seemed to be under some serious construction, with many roads and paths closed, which at times made trying to follow directions challenging.

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I like a bit of history so we wandered over to Skansen Kronen, a 17th century fortification on a small hill with decent views over the small city centre.

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We stopped for lunch in the nearby Haga area and had a walk around the cobbled residential streets; in hindsight this would be the area to stay in. It was the least busy area we visited and was quaint in it’s own way. There were none of the narrow cobbled alley ways that we found in the old town of Stockholm.

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We last minute booked a table at Fiskbar 17, a small fish restaurant with only four or five things on the menu. It was my absolute highlight of Gothenburg; the food was stunning, the cocktails delicious and the vibe was perfect.

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It was a fine evening, though made more interesting on the walk back to the hotel after some fairly intense rain. it was hard to believe it was almost 11pm when we left. This far north the sun sets quite late.

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We had a couple of hours the following day before the train to Oslo so we all set off to do our own thing. Mine was to try and find something interesting to photograph. There wasn’t much to be honest.

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I did find ‘The Lipstick’ building which is part brutalist. Lilla Bonmen as its officially known, was opened in 1989 and was easily the most interesting modern building that I saw in Gothenburg, especially that bizarre thing on the roof. After walking around the outside and taking a couple of photos it was time to head back to the hotel and then onto Oslo in Norway, a country I’ve not visited.

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Sorry Gothenburg!

Florence, day two

Friday 20 October 2023 – Florence.

After the big day of walking and sightseeing yesterday it was a relief to be able to take it easy today. Without any time restricted bookings ahead we took a leisurely and enjoyable breakfast on the balcony of the hotel. It’s a nice to place to relax but the weather hasn’t really allowed us to make proper use of it before now. The ticket for the Uffizi yesterday also gave us access to Boboli Gardens and Palazzo Pitti, both nearby and on our side of the River Arno. We set out for our morning mission to visit them both once our breakfast had settled.

We really enjoyed the gardens, they are huge, though appear to be suffering in parts from the very dry weather. I imagine maintaining such a vast, and popular site is not easy in these times of uncertain weather. We entered from what possibly is considered the back entrance, though it had a great view up the central path leading up a hill which overlooked the river and central Florence, with views similar to those yesterday from Piazza Michelangelo.

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There were a few statues scattered around the gardens, and I particularly liked the one that looks like two blokes doing the ‘holding up the Leaning Tower’ pose we saw so much of earlier in the week.

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We had arrived at the gardens not too long after opening and it was very quiet, though as time passed and we got closer to the Pitti Palace the number of visitors grew.

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There is a grotto in the gardens I wanted to see, though I was a little disappointed when I found it. Though it turns out there are two grottos and I had found the smaller one, the ‘Grotta di Madama, rather than the more impressive Grotta di Buontalenti. Both were built late in the 16 Century. Madama is presumed to reference Maria Maddalena the wife of Cosimo Medici who the gardens were originally designed for.

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Purchased in 1550, the Palace was chosen by Cosimo Medici as the new Grand Ducal residence, and it soon became the new symbol of the Medici’s power over Tuscany. It also housed the Court of other two dynasties: the House of Habsburg-Lorraine (which succeeded the Medici from 1737) and the Kings of Italy from the House of Savoy, who inhabited it from 1865. Nonetheless the palace still bears the name of its first owner, the Florentine banker Luca Pitti that in the mid-1400s started its construction. It’s a fabulous huge building containing five different art museums. It was my favourite of the galleries in Florence, perhaps because I had no expectations compared to what I had for the others.

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The art was secondary to the interior decoration, the walls and ceilings are just beautifully painted, admittedly extremely excessive and over the top, but glorious still.

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For such a huge patron of the arts there are few works that feature Cosimo, and here he is looking quite imperious.

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We found an exhibition in the Russian Art gallery with these giant stiletto shoes made entirely from pots and pot lids by the Portuguese artist Joana Vasconcelos, they looked amazing and were a highlight of all the galleries we visited.

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We left the Pitti Palace and stopped for a pasta lunch in one of the squares on the way back to our hotel. I love outside eating, glass of wine and some pasta. I could do this every day. This was definitely a tourist priced trattoria, but the food was very nice. Walking back to the hotel I found a few more of the shrines I’ve been enjoying over the past couple of days.

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After an afternoon rest we went back across the River Arno to Florence’s centre in search of the buchetta del vino, the wine wall, we passed yesterday. It is top of my list of things to do in Florence. We found it easily enough but annoyingly it didn’t appear open.

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It was too early to eat so we wandered about the centre of Florence for a while, pretty randomly will say, finally stumbling on a few streets with shops that weren’t global brands. I was looking for corduroy trousers, though I didn’t find any that fitted that I liked. There are some very well dressed men in Florence, I would guess most of those were local, us tourists are way more casual! Completely by accident we found an open wine wall, yay! We had to queue for a few minutes and received our glasses of wine just as the heavens opened and it poured. We joined some of the other wine window guests standing in a small private car park out of the rain. It was very nice, proper stemmed glass as well, none of the plastic cups you would get in England.

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Naturally we didn’t have umbrellas today. Once the worst of the downpour had passed we started the walk toward the hotel.

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Crossing the Arno again I spotted a small murmation of, I guess swifts, over one of the other bridges and we stopped to watch them as they flitted back and forth across the bridge.  Our dinner was taken in a small local restaurant as the rain was coming down quite heavily and we didn’t want to go to far. It was our first non-vegetarian meal in Florence and I had fish which was really nice. Annoyingly the rain would remain for most of tomorrow, our last day in Italy.

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Another fabulous day I love Florence!

Florence, day one

Thursday 19 October 2023 – Florence.

It continued to rain overnight but we were fortunate during the day and I rarely needed to use the umbrella I borrowed from the hotel after stupidly leaving mine at home. It was a really busy day with pre-booked tickets to two of the big attractions; the Accademia and Uffizi Galleries. Our entry time for the Accademia was at 9:15 so we had a hurried continental style breakfast in the hotel; cold meats, cheese, pastries and bread etc, all washed down with a good cup of coffee, or three. I liked it.

It rained enough on the 30 minute walk to find the ticket office to need the umbrella and get some rain on the cobbles, yay!

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High on my list of minor things to see or do in Florence was to find a buchetta del vino, or wine window and I was surprised to find one as we walked to the ticket office. It was too early in the day for it to be open so we made a note of the location with the intention of going back later.

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We walked past the Cathedral of Santa Maria del Fiore when we took a slight mis-turn, and wow! What an amazing building. We didn’t have tickets for this and it has been left on the list of things to do when we come back to Florence, which is something I want to do.

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The Accademia was impressive! I guess its main reason for being a huge tourist attraction is it has the original Michelangelo David statue; and boom! it’s pretty much the first thing you see once you get through the front door. The statue is impressive, it’s much bigger than I expected, and yes the hands are weirdly large, but it is a beautiful thing and I was surprised about how few people were in the room. I expected it to be packed. Like the experience in Pisa, not overcrowding a venue because you can, makes visiting attractions much more pleasant.

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The Accadamia is big; there is lots of renaissance art; there are spectacular pieces by loads of well known artists, but it’s not a period I really like. I mean the art is amazing, beautiful and it’s so good to be able to be up close to it, but I wasn’t wowed by it. I liked this work of Michelangelo’s that was in a series of statues that he had started but never finished before leaving Florence to Rome in 1534.

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There were a lot tour bus tourists and it was interesting watching them file in and out of the gallery without going up to the first floor with its large collection of religious works from before the renaissance. I quite like some of the work from this period; it’s quite ‘simple’ and almost cartoony in a way. I was reading a book about the Medici before and while we were away and it noted that Cosimo Medici was torn between the strict Catholicism of 14th century Italy and Humanism, and during his time as the head of the Medici family and their vast investment in art religious that human figures started to appear more natural and less ‘cartoony’.

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After leaving the Accademia we wandered around in many different circles, walking up streets and lanes as they took our fancy. This is what I like most about holidaying. We stopped for coffee outside a church with a memorial to Dante.

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There are a lot of what I’m calling shrines in Florence and they are very well cared for and I absolutely love these early forms of street art.

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The Porta del Paradiso aka the Gates of Paradise, are found on the back of the baptistery, opposite the cathedral and they are stunning, though the original gates are in a museum. Created by the goldsmith and sculptor Lorenzo Ghiberti between 1425 and 1452 the gates are stunning with beautiful motifs of scenes from the bible.

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The weather was still in pour favour so walked up to the Piazzale Michelangelo on the far side of the River Arno.

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It was a steep, short walk up this magnificent viewing point over Florence and a copy of the Michelangelo’s David Statue.

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We could see very dark clouds looming over the far side of the city so decided to head back down and get back to the centre before the rain returned; and for the pre-booked visit to the famous Uffizi Gallery.

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The gallery is amazing, again, not too crowded but enough people to give a buzz.

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The building is beautiful, with lovely ceilings, walls and everything surrounding the treasured works of art in the gallery, including a couple of lovely Botticelli works from the late 15 century.

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We took a slow stroll back to the hotel after the Uffizi. Walking the streets is such a joy; the cobbles, the narrow alleys between tall buildings, the small number of cars, the random pieces of art, so many things that make strolling an obvious first choice. We took a rest for a while before heading out early in the evening for dinner in another excellent vegetarian restaurant ; L’OV Osteria.

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It was another lovely day. I’m really enjoying our Italian stay!

Pisa

Tuesday 17 October 2023 – Pisa.

I was surprised, and pleased, to wake up under a clear blue sky. It was unexpected as the forecast had shown rain for most of the week. The B and B room came with a voucher for a coffee, pastry and a glass of juice breakfast in a café around the corner. The café was very modern and could have been anywhere in the world, though it was the only really modern place we entered on the trip. I liked it and the coffee was superb; as was most of the coffee we had in Italy. Coffee is important, as is red wine, and I had lots good wine too; just not for breakfast.

Our first, and only appointment, of the day was a 9:15 visit to the Leaning Tower. We’d booked online for an early visit to get in before the rush. It was still busy, but not as busy as it was later in the day. We arrived early so took a walk around the site, popping outside the ancient city walls to look at the souvenir stalls (Messi, Neymar and Mbappe shirts. None of whom played football in Italy, let alone Florence). Eleanor was looking for a dayglo David statue, though she didn’t find one here.

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I’m glad we got into the queue to enter the tower early as we were advised that bags were not allowed inside, and that free baggage storage was nearby. I should quickly note that the organisation at the big attractions we went to in both Pisa and Florence was utterly superb. Walking into the base of the tower I was surprised to see it was completely hollow, with just a stairwell winding round the empty core. What was very weird, though on reflection it should’ve been expected, is the floor slopes inside. It felt really odd walking into a building that sloped downhill.

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Construction of this most famous of towers began in the twelfth century from a design by the architect Diotisalvi (possibly as there are contentions about the original architect) and it started to tilt almost immediately due to the soft ground it is built on.

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The bell tower was added in 1372 to finish off the build. By the time remedial works starts in 1990 it was leaning at a precarious 5.5 degrees. It is now stable at 3.97 degrees, though it looks worse. There are seven bells in the tower, one for each musical note. The largest bell was installed in 1655.

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Though free standing, it was built as the bell tower for the cathedral nearby, the construction of which started in 1064. It also tilts, but only slightly. The cathedral, tower, baptistery and the monumental cemetery make up the Piazza dei Miracoli, a UNESCO world heritage site, and it is all rather lovely. I wanted to visit the baptistery as it’s supposed to have the most magnificent interior of all the monuments, but it was closed in this off-season for renovation work.

There are 251 steps to the top of the tower and one bi-directional staircase. Visitor numbers are, as you would expect, restricted, so it wasn’t too busy, though passing those coming down as we headed up was tight in some spaces. There were some conveniently placed ‘viewing’ stops on the way up; puff, puff…

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The view from the top was, as you’d imagine, wonderful. We were lucky with the day as the rest of the week was rainy or cloudy or both. We got the view. It was a little un-nerving standing outside at the top, when you leave the stairs you come out on to a fairly level platform, but as you walk round and get to the section where the tower is tilting down its slightly unpleasant. A narrow marble step, tilting down and eight storeys up. Not my thing. It was nice going back down to the ground. It was fantastic going up though; it’s a marvellous construction and should be on everyone’s to do list.

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Back at ground level the tour bus tourists had arrived in force; there were thousands, and this is off-season. I wanted to mock the dozens of folk striking the various Instagramable ‘holding up the tower’ poses, but it was somewhat endearing, though I’m way too cool to do it myself, obviously.

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After the rush of the tower and the exquisite view the cathedral was a little ‘meh’, maybe I’ve been in too many. I mean it’s huge and beautiful and the art is stupendous, but I’ve seen it all before; there was some repair work going on as well so scaffold all over the place and I guess that broke that special ambiance of sacred places. At least they didn’t have builders radio going.

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The doors of the cathedral are fabulous, with intricate bronze carvings from 1602 in panels on all the doors. I particularly loved this panel where centuries of visitors have been rubbing the naked bum…

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After collecting our bags from the baggage office and stopping for coffee and a snack at a nearby tourist joint (expensive) we took to the streets of old town Pisa and wandered randomly for a few hours. I very much enjoyed it.

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We crossed the River Arno, which also flows through Florence, we will cross it a few times there as well, and took in an avantgarde exhibition in Palazzo Blu which was really interesting. other than the tower there was one other thing we both wanted to see in Pisa and that was Keith Haring’s Tuttomonda mural. Painted in 1989 it was one of the artist’s final works. It’s huge and rather beautiful and we return here on our final day.

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We meandered back towards the B and B, ducking in and out of narrow cobbled streets as the fancy took us. I immensely enjoyed the walking in both Pisa and Florence; there are cars, just not many, and away from the main roads people mainly walk in the street. It’s the way it’s always been and will continue to be as more and more young folk (and some of the not so young) choose to not rely on a car to get around. I also enjoy walking down narrow lanes surrounded by 4 or 5 storey residential buildings; these places feel lived in with a sense of community and I always want to live in one. Though I know the ‘sense of community’ is likely just as much as a fantasy as my dream of a perfect local pub that only really exists on the telly; at least in England anyway. I particularly like the religious images on the walls, the small shrines, and the paintings with a donation slot on the side of churches. This is all so not-England, or New Zealand.

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We stopped for lunch (gnocchi for me and a duck bolognaise for Eleanor) and a glass of wine or two in a café on a small square surrounded by young folk from the nearby university. It was entirely pleasant and energising, though we did go back to the B n B for a brief rest after eating. The B n B is just off another, larger square, through a small road arch with the most remarkable and faded painted ceiling that I know nothing about, and don’t want to. It looks very old and the fact it is just there in the street with cars and bikes and pedestrians passing through, or stopping for a smoke and shelter from the rain, is just lovely.

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The building our room in has a small shrine on it.

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Our final tourist activity was to head back to the Piazza del Miracoli (or Piazza del Duomo depending on who you read) to visit the Camposanto, the memorial cemetery. Construction started in 1277 to house the growing number of graves that were scattered around the cathedral grounds.

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The frescoes that cover every wall were finally finished 200 years later. It was my favourite building in Pisa and I’m very glad we decided to visit. The frescoes are amazing and in hindsight I wish I’d spent more time looking at them. Work continues to restore the site and it seems to be being done very sensitively, the work done on the frescoes for instance looks almost as dated as the originals.

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My favourite was the depiction of the torment of sinners in hell. It reminded me of similar works I saw in SE Asia and I love that no matter the religion there is always eternal damnation for those who transgress the, often arbitrary and confusing, rules.

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The site houses numerous statues and memorials of wealthy and famous Pisans from the past, including Finobachi, the father of mathematics as we now know it. With Michelangelo, Galileo, De Vinci and others Tuscany was well endowed with visionaries.

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There are a number of plague death victims here too. The plague didn’t really care who you were or how much money you had when it visited.

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We wandered the streets again, stopping for a magnificent gelato before heading out for the evening. We hoped to find a bar to watch England host Italy in an international football match, but we didn’t have any luck so watched it on the TV in the room. We were exhausted and it was only day one, but man it was a good day. I really could holiday forever.

I will give a hard recommend for Pisa, and if you read this and want to visit, stay overnight and walk to the tower, it’s magnificent and comparatively peaceful; then book your tower visit early the following day.

Amsterdam

Wednesday 21 September 2022 – Amsterdam, Holland.

Amsterdam. The final city in our three city whistle-stop holiday, which sadly was all over far too quickly; both the holiday and our stay in this wonderful city of canals and cobbled streets.

I deliberately chose to go to Amsterdam on a Monday rather than over a weekend, I’m not a party person and the thought of a city full of stag-dos and hen parties was horrifying. I want some semblance of peace and quiet while I holiday and don’t want to be lumped in with the louder drunken English tourist.

All our inter-city travel has been via train, it’s long been my favourite form of travel. Headphones on and gazing out the window as we move through the world is one of the true joys of travelling. I like to take photos through the window as we go, mostly unsuccessfully; a lot of attempts went into a virtual bin to get a couple that I liked. The countryside is mostly flat and rural, I was looking for olde worlde windmills but didn’t see anything other than large modern wind turbines; though there is a beauty in those as well; I’m glad I don’t live near them though.

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We loved Amsterdam, as in Brussels and Gent we stayed outside the centre but within easy walking distance; though we really didn’t do much in the centre, a quick walk through and that was it. We missed all of the central city attractions, mostly deliberately. I’m not that sort of tourist.

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We walked past Rembrandt’s house, I knocked, though he wasn’t in.

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The view from our hotel room in the Jordaan.

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We spent most of our time walking around the canals that fringe the centre of town. Canal side walking was such a joy, just like Gent the inner suburbs were dominated by cyclists and pedestrians. There were cars, but few and they all seemed to give way to those not in tin boxes, it was quite civilised. I don’t recall the constant blaring of horns at any minor inconvenience caused by someone cycling slowly up a cobbled single lane road. The Heineken sign is above the door of my favourite bar of the whole trip.

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One of things that I found very amusing was the number of (often white) vans parked on bridges, I have so many photos with unexpected and unwanted vans in them.

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I took a lot of photos of canals and bridges. Did you expect anything else?

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There were some great houses here, though not all of them were straight. I like the variety of residential architecture in the different European towns and cities I’ve visited over the years; different weather and environmental conditions has led to a different style of building. This makes urban walking so much more interesting.

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I loved these tiny cars, there were a lot of them about, some powered by cranky old petrol engines that sound like they’re held together with gaffer tape and ancient congealed grease and street dust, the newer ones are electric and silent; neither seem to move very fast. I’ve not seen these anywhere else.

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As in Gent and Brussels we found a number of quite chilled cafes and bars (not the ‘special’ kind’) to hang out in, mostly out of the main tourist areas. There was a bar round the corner from the hotel that I spent a couple of hours in over a couple of small beers while I read my book and listened to the dub reggae they were playing. It was the local bar I dream of having where I live but have never found. I guess everything looks better through the rose-tinted glasses of a holiday. On our last night we found a whisky bar that had a nice range of whisky based cocktails, we stayed for a couple; the music was good and they place felt nice; admittedly there weren’t many other customers. Like the gin bar in Gent on our first night this place also had ladderlike stairs going to the toilet, not a place for cocktail wobbly legs.

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When we planned the trip we intended to visit the world renown Rijksmuseum art gallery, but wow, it’s expensive!

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We decided we would visit the MOCO Modern Art museum instead, it was a bit cheaper and was focused on street and pop art rather than the classics. Amongst the Banksy and Warhols they were exhibiting a couple of Stik paintings, the kind of thing you normally see painted on city walls.

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MOCO was in the same precinct as the Rijksmuseum and the Van Gogh Museum, another nice part of Amsterdam about 30 minutes from where we were staying.  There were quite a few people here, probably the largest volume of other tourists we’ve seen. A lot of accents and languages being spoken around the coffee and waffle cart tables.  It was nice and I miss that sort of thing quite a lot; I find a joy in being amongst strangers, who have all come to somewhere else to gather a drink coffee. Of course I don’t talk to them, that would be madness.

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All too soon it was time to head back home; a week away was enough to refresh, and enough for a taste of the low countries, but I left wanting more; which is a good thing. Like most other places I’ve visited, I would willingly come back.

The train back to London was really busy and I really should have checked out seats before we left, our view was, um, limited. At least we were near the bar.

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Brussels, Belgium, where I turn 60.

Monday 19 September 2022 – Brussels, Belgium.

I was 60 on Saturday 17 September, a milestone that pretty much snuck up on me. I don’t feel 60, it sounds old and most of the time I don’t feel old; I feel like a young 59. This trip was primarily to celebrate my birthday and I wanted to, and should have, spend more time on planning it. I’m good at planning holidays and get almost as much pleasure from the planning as I do from trip.

I struggled with organising this trip, possibly due to being too busy, but I mainly think it’s a Covid hangover; a lack of trust that we will actually be able to go mixed with a nervousness about being in crowds again and not being in the mood to ‘have fun’. I had a few attempts at making a trip work but couldn’t get time, location and budget to fit. In the end I just thought ‘fuck it, let’s go to Brussels’. I chose Brussels as it isn’t Berlin or Amsterdam, Rome or Paris; it’s not a city you go to celebrate something and it’s the centre of the ‘hated’ EU. It sounded perfect, and I don’t hate the EU by the way. I would rejoin tomorrow if it was my choice.

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We arrived in Brussels after two great days in Gent on Friday afternoon, it wasn’t raining then, it saved that for my birthday. Not that rain put us off roaming the streets to check a place out. As with Gent we stayed a little off the beaten track in what seemed to be a largely residential area in the suburb of Ixelles, a thirty minute walk from the old centre and a similar distance from the EU Parliament sector. It was a great spot, close to some good places to eat; a critical consideration when I book a holiday. We had three great meals in Ixelles, all different; including a very nice birthday dinner I had booked before we left London.

We enjoyed Brussels; of course it’s a big city, and it isn’t particularly touristy though it has a number of interesting attractions. I took a few photos, as you would expect.

On Saturday, we took a walk into the centre, it rained off and on during the morning, getting quite heavy at times. It didn’t put us off too much; it also kept the crowds down.

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We took a break from the drizzle over beer and cider in a small  bar before visiting the Magritte Museum, an adjunct to the art gallery. I quite like some of his work; especially his later ‘apple’ series.

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There is a bit of art around the place, both modern street and the more traditional sculpture, including Brussels number one tourist attraction, the Manneken Pis fountain.

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I especially liked this terrible statue of Jacques Brel.

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We went into a couple of churches, one had the most amazing modern abstract stained glass windows, which is very difficult to see in this photo.

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I was really surprised to find a Phlegm painting in the city; one of my favourite British street artists.

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We spent Sunday walking to and then around the European Parliament area and up to the Parc du Cinquantenaire and the Triumphal Arc. The walk through the lovely old cobbled streets of Ixelles towards the EU Centre was so quiet and pleasant and we wondered at the absence of cars and the abundance of pedestrians and families on bikes.

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It was not till we were in the centre that we realised it was Brussels annual car free day… It explained a lot, we thought this bit of Brussels was just like this all the time; a dream for me is a mostly car free city.

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Sadly the Royal Court of Justice was covered in scaffold.

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I want trams back in London.

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